Hannah Claus
entre les eaux et les étoiles
2025
Presentation of the artwork
between the waters and the stars brings together diverse expressions of territory (geographic, vocal and cultural) through its representation of the sound wave of a song shared between Inuuk throat singers, Nina Segalowitz and her daughter Sierra Segalowitz-Clabaux. Their song imitates the sound of water moving over rocks and pebbles in a river. The idea of centering throat-singing in the artwork is inspired by the proximity of Cabot Square, a gathering place for Indigenous community, and Inuit in particular.***
tsi na’tetia´:tere ne ohne´:kanos ta´non iotsistohkwaro´n:nion ne ska´tne tka´has nia’te´:kon tsi ni´:ioht aiontka´tho (ohontsa`:ke, iowennake’to´tha, ta´non ne o´nkwe tsi nihiakorihó:ten) tsi niia´:wens iowennake’to´tha tsi ni´:ioht ne kare´n:na sha’teko´ntstha ne Inuuk onia´:kwa tekenirihwa´khwa, Nina Segalowitz ta´non ontatie´n:’a Sierra Segalowitz-Clabaux. Ne aotire´n:na konwana’kera´:ni ne iotnekahtentionha´:tie tsi ionenio´:ton ta´non ne nikanenia´:sa tsi kaniatarata´:tie. Wahonterien’tatse´n:ri ne ohe´n:ton ahonnonnia’te ne onia´:kwa tekenirihwa´khwa ne´: tho no´n tá:we ne Cabot Square, rontia’tarohro´:kstha ne Onkweho´n:we, ta´non se´nha ne Inuit.
Teiakowennate´:nion ne: Tewateronhiakhwa Beauvais
Associated events
This artwork was created as part of the construction Centre Sanaaq, situated in the Ville-Marie borough. It was produced under the Québec government’s Politique d’intégration des arts à l’architecture et à l’environnement des bâtiments et des sites gouvernementaux et publics.
Hannah Claus
Hannah Claus completed her undergraduate work at the Ontario College of Art and Design in 1997 and obtained her Master’s of Fine Art from Concordia University in 2004. Her installations have been exhibited in artist-run centres and public museums throughout Canada, as well as in the United States, Switzerland, Germany, Chile and Mexico. Her work may be found in the Canada Council Art Bank, the Contemporary Art Collection of Aboriginal and Northern Affairs Canada, the permanent collection of Museum London (Ontario) and le Musée de la civilization (Québec). In her work, she explores the relationship between the material and immaterial to speak of identity and community, memory and time. She currently sits on the board of the Aboriginal Curatorial Collective and is Chair of the organizing committee for the upcoming Iakwé:iarhe Colloquium in Montréal. She has taught contemporary Indigenous art at Concordia University and Kiuna Institute, a First Nations Cégep in Odanak.