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Ville de Montréal

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Charles Daudelin

Mastodo

1984
Presentation of the artwork
Mastodo is a fountain-sculpture composed of a large bronze basin that tips when it is full of water. The water then flows in cascades into a concrete pool. The work served as a central pivot component of Agora, the environment designed by Daudelin as space of encounter and outdoor presentation site. Originally and for a short period following its installation, the basin tilted when it filled with water. Now, to better preserve the integrity of the artwork, the basin is fixed at an angle, referring to its past movement.

Mastodo is evidence of the artist’s constant interest in simple materials and volumes, as well as an aesthetic bordering on design. The contrast between the stability of the base, which seems immutable, and the tumultuous pouring of water explores the idea of harmony among nature, landscape, and urban constraints.
Associated events
Agora was produced when Viger Square, situated on the site of an old public garden dating from the nineteenth century, was reconfigured. The old square, among the most beautiful gardens in the downtown core, and its hundred-year-old trees were slated to be razed to make way for construction of the Ville-Marie tunnel in 1976. Jointly with the Ville de Montréal, the Ministère des Transports du Québec asked artists Charles Daudelin, Claude Théberge, and Peter Gnass to produce a public square on the site. The restoration of the public artwork Mastodo in 2024, by artist Charles Daudelin, is part of phase 1 of the redevelopment of Square Viger (blocks I and II).
Charles Daudelin
Born in Granby, Charles Daudelin took Paul-Émile Borduas’s advice to move to Montréal, where he took courses at the École du meuble from 1939 to 1943. Elected a member of the Contemporary Arts Society in 1941, he lived in New York and then in Paris, where he attended Fernand Léger’s studio. Teaching at the École des beaux arts de Montréal, Daudelin created the “integrated art” section there in 1963. Among his most prestigious accomplishments in integration art are the altarpiece in the Sacred Heart chapel at the Notre-Dame basilica and the sculpture-fountain Embâcle at Place du Québec in Paris.
Awards and honours
  • Grand Montréalais 94, 1995
  • Médaille de l'Université du Québec à Trois-Rivières, 1992
  • Prix Paul-Émile Borduas, 1985
  • Prix Philippe-Hébert de la Société Saint-Jean Baptiste de Montréal, 1981
  • Médaille des arts connexes de l'Institut royal d'architecture du Canada, 1973
  • Membre de l'Académie royal des arts du Canada, 1972
  • Bourse Lych-Staunton du Conseil des arts du Canada, 1972
  • Prix de sculpture de la Province de Québec, 1964
  • Boursier du Gouvernement Français à Paris, 1946-48
  • Prix de peinture de la Province de Québec, 1946
Details
Category
Fine Arts
Subcategory
Sculpture
Collection name
Public art
Date completed
1984
Mode of acquisition
Transfer
Accession date
December 17, 1987
Technique(s)
Moulding; assembly
Materials
Bronze; stainless steel; Muntz metal
Mastodo
Borough
Ville-Marie
Park
Square Viger