Roseline Granet
Monument à Émile Nelligan
2005
Presentation of the artwork
It was on the initiative of the Fondation Émile Nelligan – created by Gilles Corbeil, the poet’s nephew – that the bust of Émile Nelligan was erected, in partnership with the Ville de Montréal. The artwork is installed in Saint-Louis Square, a few steps from Nelligan’s house on Avenue Laval. The placement of the bust is also a reminder of the square’s connection with Québec literature and arts. All of the young poet’s ardour is captured in this artwork. The portrait was executed from the best-known photograph of Nelligan as a young man, in which his expression combines reverie and boldness. Roseline Granet conveys, using just a few elements, the torment and transcendence of the romantic figure with the tragically shortened literary career: the dishevelled shirt collar and hair about to fly away, the eyes conveying a slight fear and an attitude frozen in time. Associated events
Émile Nelligan, born in Montréal on 24 December 1879, was the first modern Québec poet. His academic record gave little hint of the greatness of his genius. He enrolled in Collège Sainte-Marie at age 17 but dropped out a year later and began to live a bohemian life. In 1896, under the pseudonym Émile Kovar, Nelligan published his first poem, “Rêve fantastique”; in 1897, he joined the École littéraire de Montréal. In 1899, his dazzling rise came to a sudden stop due to mental illness, and he was confined to the Refuge Saint-Benoît. His death was recorded on 18 November 1941, at the Saint-Jean-de-Dieu psychiatric hospital. His tragic life and the intensity of his work are inscribed in the Québec imagination as an inspiration to outdo oneself in art.
C'est le règne du rire amer et de la rage
De se savoir poète et l'objet du mépris,
De se savoir un cœur et de n'être compris
Que par le clair de lune et les grands soirs d'orage !
– “La romance du vin,” Poésies, 1904
Crédit photo: Guy L'Heureux, 2012
Roseline Granet
Born in Paris, Roseline Granet studied painting and drawing in 1954 at the Art Students League in New York; from 1956 to 1959, she attended the studio of sculptor Ossip Zadkine in Paris. In 1960, Granet, with Gilbert Clémenti, founded the Fonderie Clémenti in Meudon. In 1974, she had her first exhibition at Galerie Darthea Speyer in Paris. She has produced a number of important artworks, including a portrayal of writer Jean-Paul Sartre, commissioned by the French government, and Monument aux droits de l’homme, commissioned by the Ville de Meudon. She is known in Québec for her sculpture of the likeness of poet Émile Nelligan, Monument à Émile Nelligal (2005), among other works. Granet continues to be interested in figurative representation.
Presentation of the artwork
It was on the initiative of the Fondation Émile Nelligan – created by Gilles Corbeil, the poet’s nephew – that the bust of Émile Nelligan was erected, in partnership with the Ville de Montréal. The artwork is installed in Saint-Louis Square, a few steps from Nelligan’s house on Avenue Laval. The placement of the bust is also a reminder of the square’s connection with Québec literature and arts. All of the young poet’s ardour is captured in this artwork. The portrait was executed from the best-known photograph of Nelligan as a young man, in which his expression combines reverie and boldness. Roseline Granet conveys, using just a few elements, the torment and transcendence of the romantic figure with the tragically shortened literary career: the dishevelled shirt collar and hair about to fly away, the eyes conveying a slight fear and an attitude frozen in time. Associated events
Émile Nelligan, born in Montréal on 24 December 1879, was the first modern Québec poet. His academic record gave little hint of the greatness of his genius. He enrolled in Collège Sainte-Marie at age 17 but dropped out a year later and began to live a bohemian life. In 1896, under the pseudonym Émile Kovar, Nelligan published his first poem, “Rêve fantastique”; in 1897, he joined the École littéraire de Montréal. In 1899, his dazzling rise came to a sudden stop due to mental illness, and he was confined to the Refuge Saint-Benoît. His death was recorded on 18 November 1941, at the Saint-Jean-de-Dieu psychiatric hospital. His tragic life and the intensity of his work are inscribed in the Québec imagination as an inspiration to outdo oneself in art.
C'est le règne du rire amer et de la rage
De se savoir poète et l'objet du mépris,
De se savoir un cœur et de n'être compris
Que par le clair de lune et les grands soirs d'orage !
– “La romance du vin,” Poésies, 1904
Roseline Granet
Born in Paris, Roseline Granet studied painting and drawing in 1954 at the Art Students League in New York; from 1956 to 1959, she attended the studio of sculptor Ossip Zadkine in Paris. In 1960, Granet, with Gilbert Clémenti, founded the Fonderie Clémenti in Meudon. In 1974, she had her first exhibition at Galerie Darthea Speyer in Paris. She has produced a number of important artworks, including a portrayal of writer Jean-Paul Sartre, commissioned by the French government, and Monument aux droits de l’homme, commissioned by the Ville de Meudon. She is known in Québec for her sculpture of the likeness of poet Émile Nelligan, Monument à Émile Nelligal (2005), among other works. Granet continues to be interested in figurative representation.
